The sensory overload of a show like this is amazing. 100 galleries were there representing thousands of artist and craftspeople. The quality of the work boggles the mind. There are so many great makers in our world and it is easy to be humbled by such a display of talent. The show was dominated by glass and wood. My other response was that strong color and figurative work dominates this show. There wasn’t as much clay as I would have hoped to see. One artist I spoke with said that the ‘real estate’ cost too much to show pots. I saw a vase sold for $20,000! It was a nice vase, but I am always a bit bemused by the distance between a vase like that and one that I might make.
It was great to get up close to the work of Voulkos and Chilhuly, Notkin and Bennett Bean. I always look forward to getting back to my studio when I leave a good show.
Chicago is a great city and I walked so much I hurt myself. As I was slowly walking to my gate at the airport to head home I looked up to see one of my oldest friends in the world, Gerry Hersh!
I’ve been negligent in keeping some old connections alive and this amazing meeting has been a big reminder to me of the value of friends. I learned a lot from Gerry a long time ago and that continues to have value to me today.
Sorry about all the photos. Of course, you don’t have to look if you don’t want to……
It was great to get up close to the work of Voulkos and Chilhuly, Notkin and Bennett Bean. I always look forward to getting back to my studio when I leave a good show.
Chicago is a great city and I walked so much I hurt myself. As I was slowly walking to my gate at the airport to head home I looked up to see one of my oldest friends in the world, Gerry Hersh!
I’ve been negligent in keeping some old connections alive and this amazing meeting has been a big reminder to me of the value of friends. I learned a lot from Gerry a long time ago and that continues to have value to me today.
Sorry about all the photos. Of course, you don’t have to look if you don’t want to……